Do too many Australian films fall into a budgetary 'no-man's land' - not big enough to compete with the US studios, yet too big to stand a chance of commercial viability in a market flooded with independent films?
The media world is undergoing a seismic shift as audiences increasingly turn to online and interactive content. Meanwhile media brands that were unknown a few years ago (Google, YouTube, Facebook) have become household names. Screen content producers cannot afford to ignore this changing mediascape.
Fostering talent, Reaching audiences, Digital distribution and new technologies, Financing films, Lower production costs, Managing failure, Advice for emerging practitioners